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" The desert grows: woe to him in whom deserts hide ... " Nietzsche
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untrustyou:

Benjamin Heath
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thekidshouldseethis:

Who better than a talking oscilloscope to explain what frequency is and why it’s so important for radio and sound waves.
Watch the video.
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florian-baumgartner:

北京 (BEIJING) by Héctor Borràs Segarra on Flickr.
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florian-baumgartner:

4054 by 3cm on Flickr.
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florian-baumgartner:

The Dogs Were Let Out On Their Balconies Late Every Night So They Could Bark by Shelley Savor on Flickr.
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florian-baumgartner:

0030 by J. Powers Bowman on Flickr.
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florian-baumgartner:

_JJJ4407 by JANA.JOCIF on Flickr.
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the-gasoline-station:

Geometrie #1
by Paolo Pettigiani
“A context which the shapes become a pretext for exploration of space, freeing itself from its real picture, to make it more emotionally relevant. The minimal geometry, shadows and colors intersect between reality and absence, visually decontextualized from initial aesthetics. In this way, the following photographs describe a “non-place”, dematerialized by its own matter.”
the-gasoline-station:

Geometrie #1
by Paolo Pettigiani
“A context which the shapes become a pretext for exploration of space, freeing itself from its real picture, to make it more emotionally relevant. The minimal geometry, shadows and colors intersect between reality and absence, visually decontextualized from initial aesthetics. In this way, the following photographs describe a “non-place”, dematerialized by its own matter.”
the-gasoline-station:

Geometrie #1
by Paolo Pettigiani
“A context which the shapes become a pretext for exploration of space, freeing itself from its real picture, to make it more emotionally relevant. The minimal geometry, shadows and colors intersect between reality and absence, visually decontextualized from initial aesthetics. In this way, the following photographs describe a “non-place”, dematerialized by its own matter.”
the-gasoline-station:

Geometrie #1
by Paolo Pettigiani
“A context which the shapes become a pretext for exploration of space, freeing itself from its real picture, to make it more emotionally relevant. The minimal geometry, shadows and colors intersect between reality and absence, visually decontextualized from initial aesthetics. In this way, the following photographs describe a “non-place”, dematerialized by its own matter.”
the-gasoline-station:

Geometrie #1
by Paolo Pettigiani
“A context which the shapes become a pretext for exploration of space, freeing itself from its real picture, to make it more emotionally relevant. The minimal geometry, shadows and colors intersect between reality and absence, visually decontextualized from initial aesthetics. In this way, the following photographs describe a “non-place”, dematerialized by its own matter.”
the-gasoline-station:

Geometrie #1
by Paolo Pettigiani
“A context which the shapes become a pretext for exploration of space, freeing itself from its real picture, to make it more emotionally relevant. The minimal geometry, shadows and colors intersect between reality and absence, visually decontextualized from initial aesthetics. In this way, the following photographs describe a “non-place”, dematerialized by its own matter.”
the-gasoline-station:

Geometrie #1
by Paolo Pettigiani
“A context which the shapes become a pretext for exploration of space, freeing itself from its real picture, to make it more emotionally relevant. The minimal geometry, shadows and colors intersect between reality and absence, visually decontextualized from initial aesthetics. In this way, the following photographs describe a “non-place”, dematerialized by its own matter.”
the-gasoline-station:

Geometrie #1
by Paolo Pettigiani
“A context which the shapes become a pretext for exploration of space, freeing itself from its real picture, to make it more emotionally relevant. The minimal geometry, shadows and colors intersect between reality and absence, visually decontextualized from initial aesthetics. In this way, the following photographs describe a “non-place”, dematerialized by its own matter.”
the-gasoline-station:

Geometrie #1
by Paolo Pettigiani
“A context which the shapes become a pretext for exploration of space, freeing itself from its real picture, to make it more emotionally relevant. The minimal geometry, shadows and colors intersect between reality and absence, visually decontextualized from initial aesthetics. In this way, the following photographs describe a “non-place”, dematerialized by its own matter.”
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ph. Amelia J Dowd
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winterfellis:

spirits9 by BLINKBLINK* on Flickr.